Writing a Captivating Query Letter
A query letter is a one-page document sent by a writer to his or her literary agent. Its primary purpose is to lure the agent’s interest in the manuscript. Since many writers are engaged in the same goal, a successful query letter makes for an outstanding pitch.
Each query does not have much time, or space, to capture the interest of the literary agent. Experienced agents get thousands of queries every year. This is why novice writers sweat over the challenge of writing a captivating query letter.
Creating a List of Prospective Agents
There are several resources that help writers locate agents that specialize in their genre. These include databases like the publishersmarketplace.com, literarymarketplace.com, the Association of Author Representatives, agentyuery.com, querytracker.net, and writersmarket.com. After finding potential agents, writers need to visit the agents’ websites to obtain submission guidelines, find out what types of books they are looking for; and whether they are still accepting submissions.
Following Submission Guidelines
Submission guidelines specify the acceptable method of submission, as well as what should be included in the query letter’s contents and/or attachments. Some elements do not change even when the contents vary according to the agent’s specifications, the work being pitched by the writer, and its genre.
Printed/Email Formats and Content
If the agent wants the material submitted by mail, then the letter should have the writer’s address, right justified, at the top of the page followed by the left justified agent’s name and address. If the letter is being submitted by email, the subject line should indicate it is a query and the signature should have the writer’s name, address and other contact information.
The agent should be addressed courteously; and, the main portion of a posted letter should not exceed five or 6 paragraphs. Emailed queries should not exceed 300 words because agents read and discard emails quickly.
The first paragraph should capture the agent’s interest. This is the paragraph where connection with the agent maybe personalized by for example mentioning authors represented by the agent, or any meeting with the agent, or knowing someone who knows the agent. It can include the word count of the book, its genre and title.
The following paragraphs should capture the agent’s interest by giving a vivid sense of the book. If query is about a nonfiction work, the writer should explain why the writer is qualified to write the book. If the book is a novel, then following agents on social media may provide useful information about whether the agent is the right fit for the book being pitched. Only requested attachments should be provided. The signature can include links to a personal website or blog.
Bottom line: agents want projects that publishers will accept. If you want to feel comfortable about your task, check online for examples that have worked. You can also improve the odds of being accepted by sending queries to many agents.
- Published in Writing & Editing Resources
Why Finding a Literary Agent Still Matters Today
Few major publishers take submissions seriously if they are not received through a literary agent. As revealed by the 2014 Digital Book World and Writer’s Digest Author Survey, agented authors received substantially higher median advances and earnings. Traditional publishers also depend on agents to be reliable guides for writers.
What Literary Agents Do For Writers
The main purpose of an agent is to sell manuscripts to publishers. Agents are professional salespeople but also career and writing guides for writers. To be successful at their manuscript sales job they need to have great contacts.
Agents provide pre-submission editorial work. This means perfecting the work, not fixing a half-baked project. Afterwards, agents oversee the publication process while advising their writers throughout the process.
As part of their manuscript-selling role, agents need to know which editors are suitable for particular projects, and which publishing imprints are most suitable for the works. Agents must also be able to run auctions capably. In an ideal situation, multiple publishers will bid for the work. The agent advises the best course of action, if the manuscript is unable to attract multiple offers.
An agent must be experienced in negotiating a contract that reflects the best current practice for e-royalties, reversion clauses, and related matters. This technical aspect of price negotiations requires expert knowledge. An agent should know how to organize the sale of other rights, such as foreign language, TV and movie rights, with in-house capability or through partners.
Preparing a nonfiction book proposal or novel synopsis is an important preparatory step for the process of securing an agent.
Nonfiction Book Proposals
Book proposals take time to draft and can be 50 or more pages long. Experienced writers submit the proposal before writing their book. Novice writers may prefer to write the book before drafting the proposal. The proposals explain why the manuscript, or idea, is marketable.
A Novel Synopsis for Fiction
The synopsis reveals what happens in the novel and covers the narrative arc of the story. It reveals how fresh or interesting the story is and may reveal structural weaknesses that need to be corrected before submitting the work to publishers.
Finding an Agent via the Publishers Marketplace
The database of deals at the Publishers Marketplace provides useful information about which agents to target. The database reveals which agents have sold what books to which editors. The deal information also reveals the prices the manuscripts were sold for. The available information is useful for finding appropriate agents, and as a resource that can be used to entice agents’ interest.
Literary agents bring the value of monetary and non-monetary benefits to a writer’s career. If your book is of niche interest, such as an educational or professional work, you may not need an agent. However, you will have the advantage if you are able to obtain an agent.
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4 Actionable Tips for Bloggers
Bloggers have to engage and maintain their readers’ attention. A study has found that only 16% of visitors of a website read every word of its content. Evidence from consumer reports, polls, and experiments reveals that computer screens make the content more difficult to read than it would be on printed paper.
A blog writer must craft the content to hold the reader’s attention. It is harder for people to read content that winds slowly to its conclusion because reading online content subtly impairs reading comprehension even for higher-literacy readers. Perhaps this is also why online material is less conducive to learning than is content printed on paper.
The following tips will help you to hook your readers and hold their attention:
Write for the Reader You Want to Engage
Are you writing for an educated audience or a wider consumer audience? This makes a difference because the online behavior of higher-literacy readers is unlike that of lower-literacy readers. Lower-literacy readers are not text scanners; while higher-literacy readers scan the text.
Lower-literacy readers read each word, so multi-syllabic words should be avoided to speed the process for them. If they are your intended audience, do not present the material in a style that is too complicated for lower-literacy readers. Dense text loses the attention of such readers as they skip over it to save time and effort.
Grab the Reader’s Attention with the First Sentence
The first sentence is critical because it engages the reader while providing some idea of the subject matter at the same time. Consider beginning with a question, a statistic, a quote or use another way to hook the reader.
Do Not Waste Words and Avoid Longwinded Sentences
Use words that most people can understand. Because of the limited attention span of most online readers, a blogger has to focus on getting the point across as quickly as possible. The content needs to be crafted so that every part of the content—from words to punctuation style and arrangement—adds something to the product. Read the content aloud to gauge the pace of the text.
Make Your Text Easily Scannable
Scanning is a technique used by readers to make the content less tiring to read.
Research how formatting, lists, headings and sub-headings, and other techniques are used to make the text more scannable. Focus on making it easier for readers to remember the content.
Readers reward bloggers who write unique, engaging, and informative content. Keep in mind that according to the U.S. Department of Education 43% of the population has a low literacy level. Present your content in a way that engages both higher-literacy and lower-literacy readers, if you are writing for a general audience.
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Finding Freelance Work Through Online Resources
Everyone thinks they want to be a freelance writer. You make your own hours, you set your own rates—what could be better? Getting paid, that’s what. Finding paying work online is like tracking down that pesky cricket in your bathroom at four in the morning. You know it’s there, but you just can’t find it. And just like catching that cricket, finding freelance writing work takes some skill and out-of-the-box thinking. Here are some great places to start your search.
Craigslist is Your Friend
Yes, you can find a lot of writing work on Craigslist! You just have to know how. If you only look in your particular city, there might be three or four listings a week (if you’re lucky), but there is a better way. Google’s advanced search option lets you rummage through Craigslist posts all over the country (and world) and find remote work everywhere.
Facebook: Not Just for Photos Anymore
Facebook can be used for a lot more than just gossiping about media celebrities and sharing pictures of cats. There are pages and groups galore, and a few moments’ searching will uncover dozens of writers’ groups, pages, sites, and blogs. Facebook is a great place to share tips with other writers too.
LinkedIn Will Keep you LinkedUp
For more professional writers—or those who want to be pros—the professional networking site LinkedIn is a great place to be seen and noticed. Businesses, companies, and sole proprietors prowl the forums on LinkedIn, looking for people who are bright, savvy, and able to write coherent sentences. Technical or scholarly writers do well on this site for pros.
Meetup Makes Meeting Up Merry
Not all writing can be done remotely. Sometimes you have to get out and hustle. Where to start? That amazing site Meetup finds networking groups, writing critique groups, business organizations, and social clubs—all great places to seek work. A talented writer with a little moxie can make connections, and more importantly, get assignments at these get-togethers.
The Art of Bidding Wars
Bid sites abound online these days, and they are good places for writers to hone their other skills—negotiation and price setting. Thumbtack, Fiverr, and Freelancer.com are all sites where, for a small fee, you can post your profile and then bid on projects others post. Bidding sites are not necessarily places to earn a living, but they are great for developing a portfolio, earning a little pocket money, and most importantly, getting your name and reputation out among people.
Freelancing is not a job to be taken lightly. There is money in it, but like that midnight cricket, it is elusive and takes patience to find. But the rewards of working for yourself are great and worth all that time spent hunting around cold dark tiles in the middle of the night.
- Published in Writing & Editing Resources
The Value of a Novel’s First Draft to the Final Product
Completing a book typically requires a lot of rewrites, so what is the value of the first draft? The first draft can be the most important draft, depending on the final product. The National Novel Writing Month, after all, was started to get people to write at least 50,000 words.
Since 2006, more than 470 books have been written during this month that were later published with traditional publishers, and more than 100 books were self-published. Some books written in this period have reached the New York Times Best Seller List.
How the First Draft Benefits the Completed Product
The Writer Writes It Down
This is the first step of every effort. In the writing of the draft, the creative process unleashes the characters that will live in the story and may even develop a life of their own that was unplanned at the start.
The Draft Enlightens the Writer about What Works
It is where the writer tells the story but after completion may find it is imbalanced in some way. Imbalance can reveal, for instance, that some of the characters do not belong in the story, or that the story is missing a character, or a character needs to become more dominant.
In the writing, the writer may decide to change the intended story line or the point of view, and add more or less background information. To keep the writing going and creative juices flowing, it is better to make notes about changes and keep moving forward to tell more of the story.
In the First Draft, the Writer Decides the Book’s Genre
The writer may decide the story is one genre, but in writing this draft may decide to change it. It is an explorative venture that enriches the process of refining the final product.
After the First Draft
In completing the first draft the writer becomes an author, even if not a published one. An important milestone is passed en route to the final product. A completed first draft means it is not a false start, even though this draft is still an imperfect product.
The potential to be a writer has been realized; the story has been told. Next, the first draft needs to be refined through the editing process and however many rewrites and content discarding that involves.
After completing the draft, the writer should take time off before coming back to edit to make this process more effective. Yes, some writers edit during the first draft, but for other writers editing dampens the creative process.
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Drafting a Business Plan
A business plan is a written description of a company’s present and future. It lays out what the business is, what its chief executive plans to do and how he/she plans to accomplish it. The strategic document presents a roadmap for success. It projects three to five years ahead and outlines the intended path for revenue growth in that period.
The business plan reveals the current position and capacity of the business, and then how it plans to expand its revenue base, capacity, and associated factors between the present and the projected future.
How to Make the Business Stand Out in the Business Plan
What makes the business unique? Presenting this effectively will help you differentiate your business from its competitors and show that you understand the value of the business to the market or markets it is targeting.
Essential Elements of the Business Plan
The Executive Summary
Readers see the executive summary first, and it summarizes the business plan. In one or two pages, you emphasize the positive and play down the negative (when pitching to investors nor creditors). It can include vision and goals.
It should include a brief presentation of the main elements of your business plan:
Description of the Business
The business description provides information about the business, what differentiates it from others, and the market or markets the business serves or intends to serve.
Organizational Management
Every business is structured differently. Discover the optimal organizational structure for the type of business and compare how yours stacks up against that model. Discuss the pros and cons.
Services or Products
What does the business offer? How does it benefit its current and potential customers? What is the product lifecycle of the products, if any? These are some of the important elements to include in this section.
Market Analysis
Here research about the business industry, markets, and competitors is presented. Thorough research is needed to show you understand the market and the value of the company’s services or products.
Marketing and Sales
How does the business plan to market itself? What is the sales strategy? How many sales people does it have and what are their specialties and experience? These are some of the elements you need to include in this section.
Funding Needs
If the business is seeking funding, include the necessary information investors want.
Financial Projections
If funding is needed, providing financial projections to back up the funding request is essential. Find out what information you need to include in the financial projections for the business.
Appendix
An appendix is not an essential part of a business plan, but it is a useful section for including specific backup documents, such as resumes.
The business plan functions as a roadmap for the business and as a pitch for funding from investors. The amount of information you include in each section will depend on its intended readers.
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Immigrant Writers Aspiring Immigrant Writers Should Read
Immigrant writers have a rich reservoir of inspiration that connects their personal lives and heritage. Readers travel to other countries vicariously through the descriptions in the books they read. The presentation of a lived experience enriches readers. The variety of immigrant writers in America has widened their readers’ exposure to other cultures.
Immigrant Authors Open Readers’ Minds about Immigrants
Reading makes readers more empathetic when they become absorbed in characters and experience their feelings. America is transitioning into a new era, the minority-majority era, which demands more empathy towards others so that all Americans work together for the betterment of their communities, states, and country.
The Diversity of Immigrant Writers in America
Chinua Achebe, an immigrant from Nigeria, wrote “Things Fall Apart,” describing the struggles of Nigeria’s Igbo tribe as their way of life was changed by white Christian colonists. Ghanaian-American Yaa Gyasi’s “Homegoing” presents the slave trade and its legacy through the story of two sisters and their descendants over a period of 300 years. Aspiring writers can see how the author skillfully manages to write a story of epic scope that is not compromised by excluding significant detail.
Jhumpa Lahiri’s fiction explores themes of immigrant life in America, duty, family, and freedom. Her debut short story collection, “Interpreter of Maladies,” was awarded the Pulitzer Prize; and her story about the children of immigrant parents, “The Namesake,” was made into a movie. Piyali Bhattacharya’s book of stories by South Asian American women, “Good Girls Marry Doctors: South Asian American Daughters on Obedience and Rebellion,” presents their work in an easily digestible essay collection.
Art Spiegelman’s serial comic, “Maus,” about life in Nazi Germany and the relationship between a Holocaust-survivor father and his son, brought serious respect to the graphic novel medium. The graphic novel, “The Best We Could Do,” by Thi Bui is about how displacement and immigration affected a Vietnamese-American immigrant daughter and her parents. Shaun Tan’s graphic novel, “The Arrival,” captures the immigrant experience from arrival to integration to growth.
Gene Luen Yang’s “American Born Chinese” is a graphic novel about a young student and the issues of identity that confront him in school. Christina García’s “Dreaming in Cuban,” and other works present the Cuban-American experience. Janine Joseph, an immigrant from the Philippines, writes stories and poetry about growing up undocumented in America.
The poetry of Vietnamese-American poet Ocean Vuong is spellbinding and deep. Nigerian-British novelist Helen Oyeyemi often uses fairy tales and fables in her novels.
Immigrant writers can be an important part of building a more empathetic and diverse society. If you are an aspiring immigrant writer, you will benefit by checking out the stories of other immigrant writers for inspiration and guidance.
- Published in Writing & Editing Resources
Top New Editing Trends Writers Should Be Aware Of
Without a doubt, the publishing world is changing. While high-profile authors continue enjoying their well-earned success, indie authors are starting to take center stage, thanks to a higher level of publicity gained by cheaper and more effective marketing options. Book platforms are changing, too, as are the ways books are written, edited, and promoted. Many of these changes will affect a writer’s bottom line, so being prepared for them will lessen the financial blow and give writers time to adapt.
E-Book Sales Continue to Explode
Despite the ongoing reports about Barnes and Noble shutting down its e-book store and discontinuing sales and support of the beloved Nook e-readers, Amazon’s Kindle line continues to grow and change. Amazon reports that more than 70% of its 2016 adult fiction sales were in digital format. What does this mean for new writers? E-book publishing is the most cost-effective way to break into the market as e-books can be widely distributed almost instantly. Focus on driving your digital sales.
Readers’ Perceptions about Indie Authors Are Shifting
A few years ago, an indie author may have felt successful if a few friends and family members shared word of their book with other friends and family. Now, readers are starting to shift away from the expected by best-selling authors and are widening their reading horizons to include new independent, self-published authors. Another report from Amazon shows small press and indie author sales accounted for a full 50% of its market share in 2016!
What does this mean for indie authors? It means as an indie author, you have doors opening for you everywhere you look. If you have the writing and editing skills to create a quality product, the market is yours for the taking. Competition among indie authors is fierce, with most e-books priced below $3.00, so you’ll want to beef up your social marketing skills and cultivate a loyal reader base. The hard work will definitely pay off on the bottom line.
Think Internationally
Publishing “wide” is a trend writers, editors, and agents are starting to employ as authors seek to de-limit themselves from the U.S. market alone. While this involves extra cost, the author or agent can do some research into the reading markets of other countries to determine if their theme fits what is popular elsewhere. If the primary language of the target country is other than the author’s first language, they will need to hire a translator.
If you want to have work translated, expect to pay between $0.13 and $0.25 per word, depending on the complexity and commonality of the language. Alternately, hourly rates vary greatly by translator, but bear in mind, the industry average for translations is 360 words per hour. For a longer manuscript, you may want to hire a firm with two to three translators working on different parts of the same document, as this will make the translation faster and can save over per-word rates.
Keeping these publishing changes in mind will help writers reclaim aging markets with fresh outlooks and action plans for the coming years. Remember, e-books, international markets, and indie authors are just the start of shifts in the publishing world. Anticipating and preparing for different approaches to writing, editing, marketing, and publishing will keep authors at the forefront of this highly competitive business.
- Published in Writing & Editing Resources
Business Writing—How to Write like a Professional
Business writing, like other forms of writing, is a skill that improves with practice and effort. It seems simple; but it isn’t. Since business professionals are hard-pressed for time, and have a limited attention span because of it, how specific information is conveyed is very important.
Stick to the Accepted Format
Different types of business writing have specific formats. Follow the standard for each type. Adhering to the protocol is less confusing for readers. Following the accepted form matters more in business writing than in other writing forms.
For instance, business correspondence that is not well written, properly formatted, and/or badly presented gets in the way and may irritate the reader.
Some Pointers about Effective Business Communication/Writing
Your writing must be professional. Professionalism requires etiquette. Being informal is not acceptable in professional communication.
Do an outline of what you want to convey. Use the appropriate tone. Make sure to go through your writing as if you are the reader yourself.
All forms of business writing require the same style of conveying the information. Be straightforward. The style should be clear and succinct. Keeping sentences and paragraphs as concise as possible is a common characteristic of business writing. Do not dally while getting to the purpose of your business writing. What you convey should be easy to follow.
Don’t use jargon or indirect/needless words. Make each sentence convey a single message. Clarity is key. Using precise words in compact content holds the readers’ attention.
Read business publications, reports and presentations to see how business communications are crafted. Some business writers are more effective communicators. Emulate the ones whose style resonates with you, as you need to be yourself in your writing.
Know Your Audience/Reader.
Make sure your writing considers the readers’ standpoints. Think about what readers expect. Depending on what you are writing, do not assume your readers understand the content of your message. In some cases, readers may lack the assumed knowledge.
Show Consideration and Courtesy in Correspondence
Get to the point early. Don’t make the reader wait to figure out what your writing is about.
Short and concise correspondence demonstrates consideration of the time limitations of the reader and shows respect for the reader. It is also the most professional and effective way to share or discuss information.
Carefully Proofread Your Writing/Communication
Read your content before you send/ present it and use spell check.
Business writing is simpler and less demanding than creative writing. But, it still requires practice and constant efforts to improve its quality.
- Published in Writing & Editing Resources
What Non-Fiction Writers Should Look For in an Editor
When editors are solicited for their advice on what writers should look for in an editor, the answer sounds surprisingly like what any of us would want to look for in a partner. Honesty, teamwork, and strong communication skills are among the top traits they recommend. Appropriately so, when a writer hires the right editor, they become partners in the book’s – and the author’s – success.
The Three Classifications of Editing
To be their best, non-fiction books require the work of three different types of editing:
- Developmental Editing
- Copy Editing
- Proofreading
These three levels of editing can be done by one editor or by one each. It is worth investing in one editor who will see the process through from beginning to end, as having one person involved is more efficient than having two or three who may have different ideas for the manuscript.
The developmental editor will look at the “big picture” of the manuscript, including structure and concept. They will also provide an analysis line-by-line for a perfectly clean read. This labor-intensive process should always be the first level of editing performed on a manuscript as it sets the stage for the next two.
The copy editing process is done to ensure all the language in the manuscript is spotless. This is especially important given the nature of non-fiction books, which is to impart specific, accurate information. This means the text must be free of grammatical errors and typos. Readers will not trust information, nor the person writing it, if it is spelled incorrectly or poorly worded.
The final step in the editing process is proofreading. The editor chosen should be willing to go in after the writer and previous editor, if applicable, to give a final once-over, hunting out any mistakes that remain. They will ensure the manuscript is ready for sale.
Pricing and Other Attributes
When getting quotes from editors, keep in mind these averages from more than 2,000 inquiries. The industry average for full editing of a 60,000-word manuscript will run around $2500. A general assessment runs around $720, while full content and developmental editing comes out around $1,440. Proofreading alone will run around $540.
Another attribute to look for in an editor is someone who encourages communication and is clear on the writer’s needs and wants. The editor should also be willing to offer constructive criticism while being informative and sensitive.
Also important in choosing an editor is finding one with experience relevant to the writer’s theme and vision. When an editor knows the field in which the author is writing, they can better help the author meet their vision and goals for the book down the road. The right editor will help the author express their voice, not try to change it.
Choosing the right editor can be a difficult and time-consuming process, especially when the subject matter involves specialized fields (like medicine or technology). The time and effort an author spends in interviewing editors until they find the one(s) that will fit their needs will be rewarded in the success of their book.
- Published in Writing & Editing Resources